At every turn, the filmmakers go for clutter and tumult where simplicity would do -- and Adamson, to put it kindly, isn't the fleetest of action directors.. Gives one the sense that the ex-Monty Python-ite thinks he's at a filmmaker version of the Last Chance Saloon, manufacturing and recycling as fast as he can.. It's bursting with Gilliam's trademark manic energy, but the focus and execution are so soft that that energy ends up derailing the film instead of invigorating it.. Why oh why are the...
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