"Byzantium's" appeal is not so much its bite, which could use some refining, but the emotional journey its undead take. In Jordan's hands, the vampires are so very human.. An aura of disappointment takes hold midway into Golden Compass and becomes undeniable by the finish.. Neil Jordan's sensitive and very slow exploration of vampire angst. That the film also seems intended as some kind of vampire feminist statement makes it a rare combination of mildly boring and mildly hilarious.. I'm not sure...
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