A strong contender for both the artiest drug movie and the druggiest art movie ever made, Gaspar Noe's tour de force of forced perspectives and free-form grief is, in every sense of the word, a trip.. Gaspar Noe has followed up his 2002 Irreversible, an unwatchable exercise in provocation, with Enter the Void, an unbearable exercise in provocation.. [It's] certainly an immersive experience that's decidedly difficult to shake. The problem is that it's also the most excruciating sit in recent cine...
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